8/13/2023 0 Comments Hong kong piano prodigy ellen![]() The second half of the programme was all-Liszt, from the two impressionistic Legends to the masterpiece Dante Sonata, in which he showcased extraordinary musical imagination and volcanic passion, backed up by the apparently unlimited technical resources that were always at his disposal. Yunchan Lim Plays Mendelssohn ‘Fantasie in F# minor Op. One might be at odds with his rather aggressive approach, sometimes at risk of over-dramatising the music, where more classicism in the overarching conception of the work would have been appreciated. While his dexterity was unfailingly remarkable, the exceedingly fast tempo in the third movement (despite the tempo marking Presto) somehow compromised the nuances and rendered the piece almost Lisztian. The scintillating passagework was sensitively crafted with colouristic dynamic gradations. His personality was more conspicuous in Mendelssohn’s Fantasy in F-sharp minor, Op. His reading of the final Ballade in B major, particularly in the middle section marked “col intimissimo sentiment, ma senza troppo marcare la melodia” (with the most intimate sentiment, but without marking the melody too much), conjured up an inexplicable amalgamation of tenderness, suspense and frustration, with a tinge of poignancy. The second Ballade in D major enjoyed an effective shift in tonal palette, in keeping with the warmth conveyed by the first section, while the contrasting anguish and ethereal beauty in the third Ballade in B minor were duly captured. Inspired by the Scottish poem Edward by Johann Gottfried Herder, the first Ballade in D minor at times achieved a monologue-like intensity with the text clearly in Lim’s mind, exuding potent despair and struggle, although his forte was occasionally harsh in its tone. The Ballades were given a dramatic narrative throughout under Lim’s hands, traversing an expansive emotional landscape. 10, which were composed in 1854 when his affection for Clara Schumann was deepening. Lim commenced the recital with Brahms’ Four Ballades, Op. ![]() ![]() Yunchan Lim in the final round of the 16th Van Cliburn International Piano Competition in June 2022 © The Cliburn via AP ![]()
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